What photographer set out to make a thousand pictures of tea cup? He was onto something: that photography can be not just extensive (as exemplified by folks jetting off to Kenya, Santiago, or Hokkaido for snaps) but also intensive. Mr. Land's instant film introduced me to this door, in that it was on his Type 52 that I first made an image of it that made me gasp at first sight. With that one image in my mental flesh, the sight would not leave me alone, so that I filled page after page in my negative files of images of the door in different kinds of light, varying points of view, lenses, even films (also Tri-X). Of these many negatives, I have chosen seven from which to make positives so far, but these over and over, too, creating for another kind of photographic concentration. I ended up trying to discover how many and much I could extract from that one door. Five images are here, all obviously in my opinion deservedly, but more could make it into this collection as my skills in handling negatives digitally sharpen. The series is intended to show not just how greatly photographs of just one door can vary but even how photographic meaning can consist in making something out of little, of transforming what is everyday into something more, then more again.